Mad Max: Fury Road: is a crazy, relentless action movie blockbuster about a post-apocalyptic world decimated by atomic war, drought, and lawlessness. Plus, it’s a reboot of an ’80s cult classic action series. Despite all of that, it was not only nominated for Best Picture, but considered by many to be a front-runner to actually win the award. On awards day, it cleaned house in a lot of the smaller, secondary awards categories such as Film Editing, Costume Design, Set Design, etc. But the truly amazing thing about this movie was just how complete it was. The artistic touch and authenticity under George Miller’s directorship were phenomenal. Many scenes were sped up slightly to create a visual representation of the stress and adrenaline-fueled action sequences. The make-up and costumes made the world feel dirty and hellish; characters are disfigured by radiation and a horrible, unforgiving landscape. And the society, if you can even call it that, is brutal and barbaric. The result was an almost overwhelming and psychotic world view that the audiences felt a part of. Mad Max also looked REAL — from the costumes and makeup to the series of actual explosions, the film presented a nice relief from the standard summer blockbusters that rely so heavily on CGI landscapes and characters. This seemed to learn from Peter Jackson’s ridiculous Hobbit trilogy (ugh I can’t believe it’s a trilogy): orc makeup in LOTR = awesome; CGI orcs in Hobbit = stupid.
Another impressive thing about Mad Max: Fury Road is that it could have easily been another cheap ’80s action movie reboot. The original starred a pre-crazy Mel Gibson and the special effects were a lot cheesier. Most of these reboots focus on improving special effects and replacing characters with CGI monstrosities, but Mad Max instead focused on creating a truly good film instead of following the failed formula of Terminator, Robocop, and Total Recall. It is the rare summer blockbuster that impresses the Academy’s voters, and Mad Max sure did impress. Rumors were even floating around that it had a chance to take Best Picture. It retained all of the weirdness and artistry of an Oscar film, while showcasing enough violence and explosions to earn the money of a summer action flick.
Though Mad Max is such a coherent film experience, it does have one weakness that affects its rewatch-ability. Much like the classic interview question, its weakness and its strengths are kind of intertwined. The lack of exposition, the relentless action sequences, and sparse dialogue, especially between main characters, adds a touch of realism to the world Miller created. However, it also gives the audience less time to really get to know the characters and see them develop. The result is that the movie is highly enjoyable, but it’s less engrossing and personal because we lack those connections to developed characters. Charlize Theron, Tom Hardy, and Nicholas Hoult are certainly compelling, but I didn’t feel like I really knew anyone’s motivations. This is no fault of the movie, but more of a style choice. All in all, this is definitely a unique action film and is tremendously well-made and a lot of that credit goes to Miller’s direction. Go see it. Blorg! Pick: Best Director
For more Blorgin’ on the Oscars, click here!